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ismariearou��fherhusba��andtouchingw��the countess was extremely pretty, attractive, and amiable. one day while she was sitting for her portrait, mme. le brun had occasion to send for mme. charot, her nursery-governess, who came in looking so pleased that she asked what had happened.��ed,butwhens��dtheforceoft��.inthewh������th,andalw��allherprope��
youngpeopled����ssthep��it was with difficulty that she tore herself away when, in march, 1801, she wished to return to st. petersburg, and it was upon her journey thither that she heard of the assassination of paul i.����ringus[285������lythatast��hathero��thingwo��nthatnight��
thelastbal��ormerdays��n,thecomt������ale'sjaw.int��esligh��ts,andthough��reready,ands������[273]��spanishship��
avec l��argent de son fatras����������she was so terribly frightened at a thunderstorm that once when visiting the comte and comtesse de provence, as she stayed rather long and they wanted to go out, the count had some heavy thing rolled on the floor of the room above, which she took for distant thunder and hurried away to reach home before the storm.��mme. le brun painted the portraits and went to the parties of the chief roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from france, of whom there were numbers in rome during the years she lived there. many of them were her friends who had, like herself, managed to escape. amongst these were the duke and duchess de fitz-james and their son, also the polignac family, with whom mme. le brun refrained out of prudence from being too much seen, lest reports should reach france that she was plotting with them against [97] the revolution. for although she was out of the clutches of the radicals and revolutionists her relations were still within their reach, and might be made to suffer for her.����the poor countess! i am representing her reading a romance with the arms of the king. she is the only person who holds to the king now.����
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